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Over a decade ago, a petite, auburn-haired singer from Peckham, South London by the name of Katy B came to the fore with debut project On A Mission; a high-octane hit parade building on the promise of her early pirate radio potential. Suffused with personal vignettes exploring the grey area between raves and relationships, augmented by a malleable voice soaring with impact over UK garage, funky and dubstep productions, On A Mission announced the arrival of a new club-conscious renegade with an eye on the revolving door of pop.On A Mission was both a commercial and critical success: the title track and Ms Dynamite-assisted Lights On reached the top five of the UK charts and Katy B was nominated for both the Ivor Novello and Mercury Music Prize. Its success set the precedent for Katy to make her major label debut three years later with her first UK number one album Little Red. She secured the chart double and her place amongst the pop glitterati when her collaboration with KDA and Tinie Tempah, Turn The Music Louder (Rumble), reached the number one spot on the UK Singles Chart.2016’s collaborative project Honey - featuring credits from the likes of Kaytranada and Floating Points - further showcased Katy’s ability to distil more cerebral electronica with four-to-the-floor club bangers. But after years on a conveyor belt releasing and touring, Katy experienced a period of disenchantment and emotional upheaval, compelling her to take some time away to recalibrate: “When you first release music you can’t wait for the world to hear it; there’s this anticipation and excitement around it all. By the time I’d released Honey, I knew I needed time away to reboot. I began to lose perspective and I felt quite isolated at times. I needed the break to rediscover myself.” After a three-month sojourn in New York, time spent renovating a home in London and trying her hand at writing for other artists, the desire to release music again loomed large. A prelude to a new era came in the form of a vocal rework of Moses Boyd’s 2 Far Gone, reminding the world what a Katy B feature can do; supple, freeform vocals gliding melodiously over cutting-edge production, conveying both feeling and movement in equal measure.Now, no longer at the behest of a major label, Katy B has returned with a project encapsulating this time in transition. An independent artist once again, Katy’s backed by the support of her Rinse family, mirroring her introduction to the scene over a decade ago. “I’ve come full circle. I love working with a smaller team, it’s more insular and there’s less opinions involved. When you’re signed to a major label there’s so many rules. Finally, there’s no red tape,” Katy says.This creative autonomy comes through on Peace and Offerings, a collection of songs born from intimate, ad-hoc home recordings. The title is a reference to the hard-won equilibrium Katy feels at this point in her life, the romantic paramours who form the nuclei of these lovelorn songs and the synergy between the singer and her devoted fans: “The Peace is me taking myself away and having peace of mind and the Offerings are the songs, the parts of myself I’m giving away or I’ve given away in relationships. In a way I’m reintroducing myself again.”She’s still a dewy-eyed romantic, stewing between states of melancholy and sensuality, paralleling the vacillating energy of her first two projects. But at 32, Katy B has left behind the precarity of her twenties, buoyed instead by sisterhood and sorority found on the Jaz Karis-assisted Open Wound, inspired by lockdown tête-à-têtes with her friends; the agonising boy troubles, the monotony of digicentric relationships but also the amity found in shared experiences.“I got my heart broken at one point. These songs were written from times I was in relationships; it charts the happy, loved-up stages but also the indecision and the breakdown. Now, I’m in a position where I really prize my own company. Lockdown was good for me in terms of self-love, it gave me time to process my emotions.”In 2023, Katy B returned with another track – Paradise recorded with Kings Of The Rollers, creators of drum'n'bass hits.

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Matt Relton, aka Kidnap, first gained recognition by winning the iTunes Best Electronic Track in 2012 with his release Vehl. Forever experimenting with sounds, the Sheffield producer rapidly carved out a unique and intelligent sound. In pursuit of artistic independence, he launched his Birds That Fly imprint in 2015 with Moments featuring Leo Stannard.2017 was a profound year for Relton, both personally and with his career. Having gone through a year of change and reflection, it was time to drop ‘Kid’ and release under Kidnap.In 2018 Kidnap became an Ambassador for Corona Sunset Sessions which saw Relton travel around the world playing shows in extraordinary locations, from rocky beaches in southern Italy to Mountain summits in Canada. Kidnap also added further releases, Ashes EP, Ursa Minor & Turn2U to his Birds That Fly imprint.However, it was 2019 that saw the most pivotal year of Kidnap’s career. This would be the year that the London based producer would release his finest body of work to date. His debut album, ‘Grow’. Kidnap has enjoyed a momentous year in the lead up to the release of his first album. Its title song saw the return of Leo Stannard, a tried-and-tested formula that gained the pair huge success with hit track ‘Moments’. Picking up from where they left off, ‘Grow’ soon became #1 on SiriusXM Chill and entered the Top 100 U.S. Dance chart. Following on was ‘Start Again’, securing radio play from Pete Tong on BBC Radio 1, and third single ‘Sea Breeze’, a club-ready anthem with support from heavy hitters such as Eelke Kleijn, Mambo Brothers, Don Diablo and Moguai. The album was celebrated in a truly unique fashion when Kidnap conducted an exclusive audio-visual presentation at the Greenwich Planetarium, an experience that will live long in the memories of those who were fortunate enough to attend.Marching confidently into 2020, Kidnap linked up with long term collaborator and friend Lane 8 for their second release in the form of their track Matcha Mistake on Lane 8’s This Never Happened imprint. This highly anticipated reunion wet the appetite for yet another reunion in Kidnap’s career. Anjunadeep fans were overjoyed to see Kidnap was returning to the label with his latest club-ready cut Silence earning a plethora of spins at radio including Pete Tong at Radio 1.Respected and supported by esteemed figures such as; Sasha, Pete Tong, Paul Oakenfold and Maceo Plex… Kidnap continues to confidently stride forward with his sights set on his next endeavor.

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Julia Ludwiczyńska aka Guest Julka is a songwriter, singer and rapper native of Wrocław.Musically suspended somewhere between soul and rap.

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Their exuberant concert on the Tak Brzmi Wrocław stage during the WROsound 2022 festival resulted in a “promotion” to the main stage of the next edition – as part of supporting local artists by the organisers.Serca is a band founded by the producers Radek Baranowski and Kamil Jagiełło. At the end of 2020, they invited a rapper and singer, Kowalczyk, who previously worked on solo songs with several recognised producers and debuted with the singles “Zły” and “Strach”. In their songs, the artists combine guitar, indie-rock sounds with electronic, energetic and sometimes melancholic beats which harmonise with Kowalczyk’s melodic rap vocals. After a year and a half of cooperation, a dozen or so songs were created, highlighting both good and the moments, which, paradoxically, are equally necessary to achieve happiness.Ten of these made it onto the album “Ile można gadać o tym samym?”, which was released on March 23 this year by the HEADROOM collective from Wrocław. In terms of sounds, it is a journey between euphoria and melancholy accompanied by alternative melodic rap.The album was warmly received and throughout 2022 the band toured constantly, promoting the new release. They performed, e.g: at Męskie Granie (with a guest appearance by Błażej Król), Lech Polish Hip Hop Festival, Amfiteatr Hip Hop Festival, Great September, wrOFFław and solo concerts.Currently, Serca are working on new, even livelier and bolder material, which will see the light of day in 2023.

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asthma (Mateusz Wardyński) – rapper from Bielsko-Biała. On the stage he will be accompanied by his band characterised by strong punk energy.Asthma’s debut album – “manifest”, with an intense sound, raises many important issues. In contrast, his second album – “nowe życie” (premiere in May 2023) – will take you on an extraordinary ‘mental trip’, which is a reflection of the past year.

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Singer, composer, songwriter, music video director, producer and conceptual artist who pays equal attention to the musical, lyrical and visual aspects of everything she creates. Brodka redefines herself with each subsequent album, drawing from alternative rock, pop, electronic music and the sounds of the mountains which shaped her – she developed her own unique, uncompromising style.She performed at many festivals abroad, such as SXSW, The Great Escape, Sziget, and at the largest of Polish festivals.Her most popular album to date was “Granda”, released in 2010. The uncompromising folk-electronic sounds clearly separated Brodka from her earlier pop repertoire; the album achieved double platinum status, and the artist herself was promoted to the big league.In 2022, her latest Polish-language mini-album “Sadza” was released, showing the extremely lyrical and intimate side of Brodka. The producer of the album is 1988, who also joined the band concerting with the new material.

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The man, the myth, the legend.Tricky, a living legend of trip-hop, a British singer and music producer. Known to a wide audience for his cooperation with Massive Attack, but also for his colourful solo career, during which the cult album “Maxinquaye” was created (named after the artist’s late mother). He worked with Björk, PJ Harvey, Alanis Morissette and team members of Red Hot Chilli Peppers. In 2019 put out an acclaimed autobiography ”Hell Is Round The Corner”.On the WROsound stage, he will be accompanied by our own Marta Złakowska – a singer from Cracow. The duo worked together on her solo album "When It's Going Wrong", which was also released by Tricky’s label, False Idols.

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Baby Meelo is one-man band representing the Wrocław collective, regime brigade label and Uczulenie space. Producer, DJ, MC, songwriter, promoter, radio personality with releases in the catalogues of regime brigade, Juke Bounce Werk, Polish Juke, BAS, Torre, Shapes of Rhythm, Flexi Cuts, CIARKI, The Big Fresh Collective, Nü Kvlture, Sequel One Records, Astrophone. He has also performed at festivals such as Nyege Nyege, Unsound, Avant Art, Nowe Horyzonty, Berlin’s HÖR platform and in majority of leading Polish clubs.

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Rycerzyki create melodic, melancholic and ecstatic music that fits loosely into the alternative pop trend and refers to the climate of the 1980s. The band debuted in 2015 with an album titled Rycerzyki under Krakow’s Stajnia Sobieski label. In 2018, Thin Man Records released the band’s second album under the title Kalarnali, very warmly received by the media, including Polityka, Gazeta Wyborcza, Dwutygodnik and Polish Radio Three. Rycerzyki have also been selected by the European showcase network INES in association with Poland’s Spring Break as one of the hundred promising young bands from Europe (INES Talent 2019). The single Czerwiec from the Kalarnali’s album was the song of the day on Polish Radio Three (2018) and the whole album was the album of the week on many different radio stations in Poland. Kalarnali was featured in many lists of the best Polish albums of 2018, among others on Beehype, Bartek Chaciński’s Polyphony blog, T-Mobile Electronic Beats, Music Is, Trzy Szóstki,. As part of an international tour just before Pandemic, the band performed, among others, in Seville, Berlin and Prague. Rycerzyki have appeared at festivals such as Off Festival (2015), Spring Break (2015) and Monkey Week (2019), among others. They have performed as a support band before Canadian band TOPS, Mikromusic, Pustki and before Gaba Kulka bands.August 2021 saw the release of Rycerzyki’s third album Zniknij na zawsze (released on Thin Man Records), promoted by singles titled Duch, Trochę jaśniej, Żar, Pętle and Lew, followed a year later by an album of remixes of the Rycerzyki’s songs Zniknij na zawsze – Remixes, prepared by such artists of the independent scene as Legendary Afrojax, Pejzaż, Jakub Lemiszewski, Kadabra Dyskety Kusaje, Bogdan Sękalski, Ala Zastary, Xamille, Mucks. The release was, among others, the album of the week in Radio Four.The band is currently working on a new album. Rycerzyki perform as a trio, consisting of: Gosia Zielińska (vocals, synthesiser), Karol Jadach (guitar, electronics) and Maciej Pitala (guitar, bass).

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EKHTO is a Wroclaw-based alternative duo performing electronic music. Anita Barton and Kuba Iwanejko, inspired by synthpop, electronica and melodic techno, create music that combines a danceable mood with lyrical sensitivity. The duo draws inspiration from groups such as Rüfüs Du Sol, GusGus and Röyksopp. Their latest singles, Cosy Mess and On Cloud 9, were created in collaboration with producer Bartosz Szczęsny, setting a new direction in the band’s work.

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The duo was founded in 2012 by Piotrek Lewandowski (Indigo Tree) and Radek Krzyżanowski (Kamp!, La Giang). Since their first release, the band has developed a recognisable style (sad disco) and label on the Polish electronic music scene. The band has released two albums (Moments in 2014 and Ghosts in 2016), four EPs and played over 100 concerts, including the most important Polish festivals (Open’er, Audioriver, Tauron Nowa Muzyka, OFF, Orange Warsaw).

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What would have happened if Michael Dudikoff had gone missing in action, say – in Poland in 1987 – during the harshest freezing spell of the century? Would he have coped under these conditions like John Rambo has in the town of Hope? We shall never find out, but the soundtrack is already there. Latarnik and Cancer G (members of EABS and Błoto) would call this film Zima Stulecia: Minus 30°C.The music of Zima Stulecia is difficult to label in terms of genre. It oscillates towards melancholic electronic music. For some it will be techno, others will hear elements of house, all accompanied by improvised synth and percussion music.Zima Stulecia is a duo that was not supposed to have any chance of success. Many years ago, back in 2006, when they were still budding musicians they met for the first time at a jazz workshop. When they found out where they both came from and that they were separated by almost 800 kilometers, despite having great chemistry in playing, they jokingly said goodbye with the sentence: “it was fun playing together!”. They figured they would never meet again. At the time, none of them imagined that in a few years’ time in Wrocław they will form one of the most interesting contemporary jazz bands in Poland: EABS and Błoto. On top of that, they were both born in January 1987. The last of the historic “winters of the century” (eng. for “zima stulecia”) occurred at that time in Poland, which ultimately determined their name as a band. Minus 30°C album is a recording of the non-verbal workings of these soulmates, and a fruit of a musical collaboration that has lasted for 16 years.

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brodachè are uncouth condors rising above the ocean of mixed waters of electronics, alternative and pop.brodachè is the collective of the best qualities you wish your mother had. brodachè is the caring father you probably didn’t have.They like density in the beat, they like space in the being.Festivals they have attended so far:Kazimiernikejszyn, Kortowiada, Juwenalia Poznań, Cekcyn Electronic Music Festival, Spring Break, CzarnOFF, Festival, Frytka Off Częstochowa, Powidz Jam Festival, Liederlauschen (Germany) and many smaller ones.The debut album #beardoelectro was mastered at the legendary ABBEY ROADS studio in London.

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BOKKA has been surprising for the past 10 years with its unconventional approach to their image, lively concerts and stylistic turns – from the nostalgic debut noticed by Pitchfork, through the energetic album Don’t Kiss And Tell, the cosmic Life On Planet B, to the apocalyptic Blood Moon.Remaining anonymous for the past 10 years, they operate according to their own unique principles. What will they surprise with this time celebrating their 10th anniversary? BOKKA HITS 10 coming soon!They are one of the most amazing phenomena on the Polish scene. They have 4 well-received albums to their credit, 3 Fryderyk nominations, and their work has been recommended by many foreign media. An original approach to creating their image and music, using unconventional instrumentation, often consisting of random objects, quickly became BOKKA’s trademark. The group’s potential was quickly recognised abroad, which resulted in playing at the most important events in Europe, including the British The Great Escape, Czech Colours of Ostrava, German Reeperbahn or Dutch Eurosonic, and then in clubs in Brussels, Prague or Budapest.In 2022, BOKKA returned in another guise, presenting the mysterious and apocalyptic album Blood Moon, thus gaining another Fryderyk Award nomination. The video for the song Walk on A Wire received the Grand Prix at the Polish Music Video Awards, an honourable mention at the Berlin Music Video Awards, and was the only Polish video to be nominated at the Camerimage festival among artists such as Lykke Li, Harry Styles and Rammstein.